10-11-17 Saboteurs Part XVIII
SABOTEURS PART 18: The Great Seal Prophecy of America’s Coming Grey Champion
In The Secret Teachings for All Ages, celebrated 33rd-Degree Freemason Manly P. Hall said:
Not only were many of the founders of the United States Government Masons, but they received aid from a secret and august body existing in Europe, which helped them to establish this country for a peculiar and particular purpose known only to the initiated few. The Great Seal is the signature of this exalted body—unseen and for the most part unknown—and the unfinished pyramid upon its reverse side is a trestleboard setting forth symbolically the task to the accomplishment of which the United States Government was dedicated from the day of its inception.[i]
Hall spoke of many things regarding the Freemasonic symbolism of our capital city, but by far the most powerful signature of intent by the society, as Hall just stated, is the Great Seal. He didn’t even try to hide the fact that the Seal involves a “task”—a “peculiar and particular” one that our nation was “dedicated” to by our founding fathers from “inception”!
Hermes Trismegistus of the Hermetic Corpus wisdom texts prized by the Rosicrucians (and by extension, the Freemasons) regaled his disciple with a principle for the workings of the universe: “As Above, So Below.” This code is so buried in esoteric mysticism today that you find it even modeled by “The Magician” in the tarot deck; one of his hands holds a wand toward Heaven, and the other points to the earth, signifying the magician’s (and alchemist’s) role in the metaphysical link between Heaven and earth—and this artwork is a direct result of the “As Above, So Below” maxim. Straight from Trismegistus’ Emerald Tablet writing from the Hermetica is the explanation of this mystical connection:
That which is Below corresponds to that which is Above, and that which is Above corresponds to that which is Below, to accomplish the miracle of the One Thing. And just as all things have come from this One Thing, through the meditation of One Mind, so do all created things originate from this One Thing, through Transformation.[ii]
To those who are understandably confused by this obscure and cryptic text and what this “One Thing” might be, consider what Nikki Scully writes about the Emerald Tablet in her book, Alchemical Healing: A Guide to Spiritual, Physical, and Transformational Medicine:
The basic tenets of alchemy are distilled in the Emerald Tablet, one of the most quoted and studied of the guiding treatises of alchemical lore.… The Tablet suggests that “that which is above is the same as that which is below: All that exists is of One Mind, or of One Thing, and they are the same.” It is the goal of the alchemist to bring spirit and matter into alignment and harmony. Within that relationship rests the secret of creation, and with it our ability to co-create our own reality….
The language used to convey ancient and medieval alchemy was purposely misleading, encoded in terms so difficult to understand that the majority of those who tried to decipher it were either led astray or forced to give up.…
Throughout all the processes of alchemy, it is important to remember the teaching from the Emerald Tablet…. What happens in the spirit world is a reflection of what happens in the physical world.[iii]
Simply put, what happens on this earth can be controlled, manipulated, redirected, or entirely created based on the powerful, metaphysical link between the unseen realm and the enlightened few (magicians, sorcerers, alchemists, master Freemasons, etc.). What happens below on our natural earth, according to this philosophy, can mirror that of the supernatural—and the ambitions of a new society (or New World Order) become tangible via this concentration. Such a “mirror” is openly displayed in the Great Seal. It does, as Hall signifies, “symbolically” relate the “task” to which our country was “dedicated.” He made it clear, as did Nikki Scully, that these symbols and languages are “purposely misleading” to the general public.
It is perhaps no wonder, then, that the nation remains misled and that only students of archaic/esoteric symbolism would be able to decipher the true “peculiar and particular purpose” of the Seal’s design. By allowing the imagery to appear nationalistic in its branding, the truth can be shrouded behind what the general public perceives as patriotic.
When digging through the piles of research available on the Great Seal since its conception in 1776 (approved in 1782), the following implications are offered:
The Obverse Side
The animal chosen to bear the US Coat of Arms (with thirteen stripes) is the American Bald Eagle, supposedly chosen “because of its long life, great strength and majestic looks, and also because it was then believed to exist only on this continent.… The eagle represents freedom. Living as he does on the tops of lofty mountains, amid the solitary grandeur of Nature, he has unlimited freedom, whether with strong pinions he sweeps into the valleys below, or upward into the boundless spaces beyond.”[iv]
However, as stately as this all sounds, it is common knowledge that the earlier sketches were of William Barton’s “phoenix in a nest of flames.” Of this, Manly Hall said, “Its selection would of course have been appropriate.” He went on to say:
Among the ancients a fabulous bird called the Phoenix is described by early writers such as Clement, Herodotus, and Pliny; in size and shape it resembled the eagle…. The Phoenix, it was said, lives for 500 years, and at its death its body opens and the new born Phoenix emerges. Because of this symbolism, the Phoenix is generally regarded as representing immortality and resurrection.
All symbols have their origin in something tangible, and the Phoenix is one sign of the secret orders of the ancient world and of the initiate of those orders, for it was common to refer to one who had been accepted into the temples as a man twice-born, or re-born [think Horus/Osiris]. Wisdom confers a new life, and those who become wise [or enlightened] are born again.
The Phoenix symbol is important in another way, as an emblem among nearly all civilized nations of royalty, power, superiority, and immortality. The Phoenix of China is identical in meaning with the Phoenix of Egypt; and the Phoenix of the Greeks is the same as the Thunder Bird of the American Indians.…
It is immediately evident that the bird on the original seal is not an eagle…but the Phoenix…. The beak is of a different shape, the neck is much longer, and the small tuft of hair at the back of the head leaves no doubt as to the artist’s intention.[v]
So, as far as Hall was concerned, and as far as the historical evidence shows, the eagle was never an eagle, but a reincarnating bird held to high importance in Freemasonic mysticism.
However, there is yet another corresponding mythological link to the eagle as the representative phoenix. Several other birds could have been chosen to be the veiled phoenix if the artist was deliberate in shaping their lines, but in the family tree of the Roman pantheon, Jupiter (Zeus to the Greeks) was the father of Apollo, and his sacred animal was the eagle, who almost never leaves his side. When this very eagle was combined with a thunderbolt in its talons in artwork—a common occurrence on Greek and Roman coins—the eagle was to be considered Jupiter, himself, in animal form. Interestingly, in almost every single depiction of this state, the eagle has its wings outstretched in precisely the same stance as the Eagle of the Great Seal, and its head is always facing the same direction. The comparison of the two images is so striking that if one were to approach a person with no understanding of the identities or symbolism of either the Roman/Greek coins or the US Seal (or US history), he or she would understandably think the Roman/Greek coin was an antique coin of America’s ancient past. The unbearded “underworld Jupiter”—also known as Veiove, Vetis, or Vejovis, depending on the region the myth hails from—is depicted with a cluster of arrows in his hand, just like the eagle of the Great Seal.
Thus, there is a distinct allegory existing that the eagle of the US might in fact be a stand-in for the father of the Apollo/Osiris/Horus, who will be reborn into this world through reincarnation/resurrection—and who will arrive to finally place the missing “apex stone” upon the unfinished pyramid (on the reverse side of the Seal) for the New Atlantis.
In the eagle’s left talon are thirteen arrows, said to represent the thirteen original colonies; in its right talon is an olive branch (with thirteen leaves and thirteen olives, again for the thirteen original colonies), said to represent peace. The duality of the arrows and the olive branch signifies, or so we’re told, that our nation desires peace however and whenever possible (which is why the eagle has its head turned to the peaceful side), but we are ready to bravely go to war if necessary to preserve our values.
Above the eagle’s head is a “glory” with thirteen stars, and from its beak is an unraveled scroll with the words E PLURIBUS UNUM—which translates, “out of many, one” (alternatively, “one, out of many”)—made up of thirteen letters. (The English translation, when including the comma, is also comprised of thirteen characters.) The phrase E pluribus unum is said to have strong ties to another by Greek philosopher Heraclitus, whose writings survive only in what is called “the Fragments.” Fragment 10 reads, “The one is made up of all things, and all things issue from the one,” which is strangely similar to the Hermetic “As Above, So Below” maxim adored by Freemasons: “And just as all things have come from this One Thing, through the meditation of One Mind, so do all created things originate from this One Thing.”
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And though it has been suggested that the “out of many, one” allusion refers to the comradery of a people coming together (or “becoming one”) through the common interest of love, patriotism, national pride, and so on, a more precise translation of thatarchetypal union is already given in the Latin unus fiat ex pluribus (literally, “it is based on one of a number of,” i.e., a goal or accomplishment that is based on the joining of a number together as one, united). But that did not equal thirteen letters, nor did it have ties to the “As Above, So Below” proverb. Thus, E pluribus unum was chosen deliberately in place of its more appropriate counterpart. However, whether the final terminology was selected because it fit the “thirteen” theme, or because it reflected the metaphysical and alchemical connotations of the Hermetic Corpus, the public views the “oneness” undertone and, without digging deeper, naturally associates it with patriotic dogmas of unity that have propelled our national “family” since the beginning.
But just as “one nation, under God” and “In God We Trust” are obviously intentionally ambiguous, the question is raised: To what central goal are we united “as one” anyway, and who precisely are the “we” in this equation? Is it all the citizens of America coming together for peace, liberty, and justice? Or is it the initiates of a darker Order coming together for a “peculiar and particular purpose” related to “devil’s footprint” pentagrams and pagan monuments?
Also, might there be more to the numerology surrounding the eagle than just that persistent number thirteen (which we will discuss shortly)? In 1846, 33rd-Degree Freemason and noted author James David Carter wrote in Freemasonry and United States Government:
Among those who helped design the Great Seal of the United States the following are known to have been Masons: Benjamin Franklin, Thomas Jefferson, William Churchill Houston, and William Barton.… [W]hen an informed Mason examines the Great Seal, here is what he sees:
On the obverse is an eagle whose dexter wing has thirty-two feathers, the number of ordinary degrees in Scottish Rite Freemasonry. The sinister wing has thirty-three feathers, the additional feather corresponding to the Thirty-Third Degree of the same Rite conferred for outstanding Masonic service. The tail feathers number nine, the number of degrees in the Chapter, Council, and Commandery of the York Rite of Freemasonry.… The total number of feathers in the two wings is sixty-five which, by gematria, is the value of the Hebrew phraseyam yawchod (together in unity).…
The glory above the eagle’s head is divided into twenty-four equal parts and reminds the observer of the Mason’s gauge which is also divided into twenty-four equal parts and is emblematic of the service he is obligated to perform. The five-pointed stars remind him of the Masonic Blazing Star and the five points of fellowship.…
The gold, silver, and azure colors represent the sun, moon, and Worshipful Master, the first that rules the day, the second, the night, and the third, the lodge. While silver, connected with the letter Gimel or G and being surrounded on an azure ground by a golden glory, reminds the Mason of the letter G, a most conspicuous furnishing of a proper lodge room. The shield on the eagle’s breast affirms by its colors, valor (red), purity (white), and justice (blue), and reminds the Mason of the cardinal virtues. The value of these colors, by gematria, is 103, the value of the phrase ehben ha-Adam (the stone of Adam) and suggests the perfect ashlar, or squared stone, of Freemasonry. One hundred and three is also the value of the noun bonaim, a Ranbbinical word signifying “builders, Masons.” Thus the national colors spell out, by gematria, the name of the fraternity. The scroll in the eagle’s beak, bearing the words E Pluribus Unum…reminds him also of the unity which has made brothers of many.[vi]
It seems almost naïve to assume that the front side of the Seal is merely patriotic. Freemason handiwork is all over it. The reverse side appears to be even more blatant. Once again, we turn to Hall to point out the obvious: “But if this design on the obverse side of the seal is stamped with the signature of the Order…the design on the reverse is even more definitely related to the old Mysteries.”[vii]
The Reverse Side
Hall describes the reverse side:
Here is represented the great pyramid of Gizah, composed of 13 rows of masonry, showing 72 stones (the importance of this number and its connection to ancient and modern saboteurs and shadow government, deep-state occultists is reviewed elsewhere in this book). The pyramid is without a cap stone, and above its upper platform floats a triangle containing the All-Seeing Eye surrounded by rays of light.[viii]
The “Eye of Providence” floating above the Great Pyramid is an interesting twist. In the Renaissance Era, well before our nation’s founding, it began appearing as a symbol of the Christian Holy Trinity: three equal sides for the Father, Son, and Holy Spirit, with the all-seeing eye of God (the three Persons together as one) at the center, accompanied by “glory rays” issuing from the three sides. Many may find this similarity of the Christian symbol to the Eye of Horus concerning, but when looking into the origins of the Eye of Providence, it’s nearly impossible to locate which religion or culture recorded it first, and it certainly did not mean the same thing to each culture/religion. Though it doesn’t always appear exactly the same from rendering to rendering, the artwork of the Eye of Providence is prominent in ancient imagery all over the world. In Buddhism, it’s the “Eye of the World”; in Vietnamese Caodism, it’s the “Divine Eye of God”; in Hinduism, it’s the third eye of Shiva and the destroyer of all evil and ignorance; in Middle-Eastern religions, it often appears in the palm of the hand and represents protection (and a comparable symbol appears in Judaism at times as the “Eye [or “Hand”] of Miriam”); and so on.
The designers of the Great Seal knew very well that by the time America was born, this all-seeing eye would be recognized generically as the Eye of Providence, and that Christians arriving to the new land of freedom would associate it to the Eye of the Trinity, so they proceeded with confidence that this “reclothing” would satisfy citizens of the nation for centuries to come. Evidently, their confidence was well placed, because at the time of this writing, the vast majority of Americans either have no idea what they’re looking at on the Seal, or they believe it to be representation of the Trinity (or “Eye of God/Providence,” generically). But if it was merely the Trinity they were pointing to, why would the all-seeing eye of Yahweh, Jesus, and the Holy Spirit be hovering above the Great Pyramid of Giza, Egypt, instead of the more obviously appropriate image of America? They just as easily could have placed the Eye over the flag or over a crowd of patriots.
Let’s consider what one of the most famous occultists in world history has said on the matter. I will remind the reader that this Freemason, Aleister Crowley, was known as the “wickedest man in the world.” From his writings, we read of a warped and therefore unholy trinity deriving from Egyptian theology:
Evolution (within human memory) shows three great steps: 1. the worship of the Mother, when the universe was conceived as simple nourishment drawn directly from her; 2. the worship of the Father, when the universe was imagined as catastrophic; 3. the worship of the Child, in which we come to perceive events as a continual growth partaking in its elements of both these methods.
Egyptian theology foresaw this progress of humanity and symbolized it in the triad of Isis, Osiris, [and] Horus.…
[T]he residing officer of the temple (the earth) is Horus, the Crowned and Conquering Child. And again, Egyptology and psychology help us to understand what is implied, and what effect to expect, in the world of thought and action.[ix]
Though Crowley was referring to his timelines of majestic Aeons (time periods revealed to him through an “intelligence entity” known as Aiwass during his search for enlightenment [much like John Dee and his search for enlightenment through communication with “angels”]), and not to the Great Seal symbolism specifically, the Egyptian triad or trinity of Isis/Osiris/Horus was one that had been deeply embedded in the esoteric Mysteries (translation: religion of the Freemasons) that the 33rd-degree Freemason Crowley celebrated and that Hall referred to prior.
Earlier, we used the following quote from Hall’s Secret Teachings of All Ages:
The black magician cannot use the symbols of white magic without bringing down upon himself the forces of white magic, which would be fatal to his schemes. He must therefore distort the hierograms so that they typify the occult fact that he himself is distorting the principles for which the symbols stand. Black magic is not a fundamental art; it is the misuse of an art. Therefore it has no symbols of its own. It merely takes the emblematic figures of white magic, and by inverting and reversing them signifies that it is left-handed.[x]
In the article, “The All-Seeing Eye: Sacred Origins of a Hijacked Symbol” by David Percival of The Conscious Reporter, we see that Hall was not the only one to point out that symbols can be either misused intentionally or combined with others to “hijack” its original purpose in trade for a veiled evil:
Is the all-seeing eye a symbol of divine omniscience or sinister influence? Today it symbolises control and domination by a shadowy elite, but its original use was quite different.…
Today the all-seeing eye is more likely to be seen as an “Illuminati” symbol of control and surveillance by elites who to a large degree run the show on this planet at this time. This is because, over time, dark sinister forces have taken over esoteric symbols that for thousands of years were used to convey positive, helpful, uplifting spiritual messages and principles. The all-seeing eye is a prime example of how spiritual symbols have been hijacked and inverted.[xi]
Again and again, we see the pattern of Freemasons “reclothing,” “distorting,” “warping,” “inverting,” and “hijacking” symbols to make them appear as one thing to the general public but point to that “peculiar and particular purpose” behind the veil, which we will disclose in the next entry…
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